In a recent verbal tirade that sent shockwaves through the Nigerian music industry, veteran rapper Eedris Abdulkareem pulled no punches as he took aim at Grammy Award-winning sensation Burna Boy for his controversial remarks regarding his rise to stardom. Speaking out while guesting on the audio-visual podcast “The Honest Bunch,” the iconic “Jaga Jaga” hitmaker unleashed a scathing critique of his junior colleague’s assertions, labeling them as nothing short of ludicrous.
Abdulkareem minced no words in denouncing Burna Boy’s assertion that he had received no assistance or recognition within the Nigerian music scene, characterizing such claims as naive and disrespectful to the countless pioneers who paved the way for subsequent generations of artists. Drawing attention to the towering legacy of Afrobeat legend Fela Anikulapo Kuti, Abdulkareem underscored the pivotal role played by trailblazers in elevating Nigerian music onto the global stage long before Burna Boy’s ascent to fame.
Indeed, Nigeria’s rich musical heritage boasts a lineage of illustrious figures, from the iconic 2Baba and the dynamic duo of P-Square to the incomparable talents of D’Banj, Don Jazzy, and beyond—all of whom played instrumental roles in establishing the country’s reputation as a powerhouse within the global music landscape. Abdulkareem’s impassioned defense of these luminaries served as a stark rebuke to Burna Boy’s perceived ingratitude and lack of appreciation for his predecessors’ contributions.
Adding fuel to the fire, Burna Boy’s recent comments disparaging the Nigerian music industry and its fan base only served to further exacerbate tensions within the community. From dismissing the country’s loyal supporters as “delusional” to publicly lamenting his perceived lack of recognition, Burna Boy’s remarks struck a nerve among industry insiders and fans alike, prompting widespread condemnation and debate.
Despite achieving unparalleled success on both the domestic and international fronts, Burna Boy’s apparent disregard for the foundation laid by his predecessors has sparked controversy and drawn sharp criticism from his peers. As tensions continue to simmer, the rift between Burna Boy and the established veterans of the Nigerian music scene underscores the ongoing struggle for recognition and respect within a fiercely competitive industry. Whether this conflict will ultimately lead to reconciliation or further division remains to be seen, but one thing is certain: the echoes of Abdulkareem’s impassioned rebuke will reverberate for some time to come.
The lyrics read; “ Is this the motherfucking thanks I get for making my people proud every chance I get?.”
In a bold assertion that further ignited the flames of controversy, Burna Boy took his divergence from the Afrobeats genre a step further by declaring himself a proponent of a new musical movement dubbed “Afro fission.” This departure from the established Afrobeats label raised eyebrows and elicited mixed reactions from fans and industry insiders alike.
However, it was veteran rapper Eedris Abdulkareem who wasted no time in seizing the opportunity to voice his dissent. With characteristic fervor, the “Jaga Jaga” hitmaker delivered a blistering retort aimed squarely at the “Last Last” crooner, denouncing Burna Boy’s perceived arrogance and audacity in attempting to distance himself from the very genre that had propelled him to fame.
Abdulkareem’s swift and unapologetic condemnation of Burna Boy’s remarks underscored the deep-seated tensions simmering within the Nigerian music community. As a staunch defender of the Afrobeats legacy and its pioneers, Abdulkareem viewed Burna Boy’s attempt to carve out a new musical identity as a slap in the face to those who had laid the groundwork for his success.
The ensuing clash between Abdulkareem and Burna Boy encapsulated the broader struggle for recognition and respect within the Nigerian music industry. While Burna Boy sought to assert his individuality and carve out a distinct artistic path, Abdulkareem remained steadfast in his defense of tradition and legacy, refusing to let the contributions of past generations be overshadowed or dismissed.
As the debate raged on, fans and observers found themselves divided, with some applauding Burna Boy’s boldness in challenging the status quo, while others rallied behind Abdulkareem in defense of Afrobeats and its enduring significance. In the end, the clash between these two titans of Nigerian music served as a potent reminder of the complexities and tensions inherent in an industry constantly in flux.
In his words; “ You hear someone like Burna Boy say no one helped him in Nigeria. That’s stupid talk.”
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SEE COMMENTS BELOW :
sir_chizy_official: Yes very stupid talk ,he even use fela lyrics and rhythm.
laredo149: Yes person wey be say na dem zlatan help him In 2018 lol.
glorious_west1: Davido paved way for burna we all know that.
iamdbull: It’s time like this we need artists like eedris, not the “she tell me say she tell me say.
hayam_kvng_sholay: No worry Burnaboy go soon use u do freestyle like Brymo as una no wan get sense.
toxic_tha_venom: Yes he didn’t get the kind of support other artist got, but saying nobody helped him is wrong. No man is an island. You can’t do it all by yourself.
jojo2mil: Normally na stupid talk! And I love that it’s the OG that’s calling his BS.
